Run
time: 97 mins
Set in
the year 2028, “Hotel Artemis” tells the story of an underground hospital in
the service of criminals. The film opens with a botched robbery in Los Angeles
in which two brothers are injured during their shootout with the police. They
manage to take shelter in the “Hotel Artemis”, but their struggles are far from
over.
Within
the walls of the Artemis, tension bubbles between the wounded criminals.
Outside, riots wreak havoc all around the city, as clean water has become a
luxury that the poor of Los Angeles cannot afford.
The
best thing about “Hotel Artemis” is the cast. With big names like Jodie Foster,
Sterling K. Brown, Dave Bautista, Sofia Boutella, Charlie Day, Zachary Quinto
and – last but not least – Jeff Goldblum, the star power did not disappoint.
Jodie
Foster’s character, referred to as The Nurse, and she runs the Artemis with
efficient professionalism; compared to the chaotic criminal underworld and the
riots raging around her.
The
Nurse is an ironically understated presence in the film. I was particularly
fond of The Nurse’s friendly banter with her faithful orderly, Everest (Dave
Bautista). All in all, each member of the cast was wonderfully colorful in
their roles, but Sofia Boutella in particular, stole every scene she was in.
Her fight sequence toward the end of the film was beautifully choreographed and
fast-paced.
The
violence and language throughout “Hotel Artemis” are what give the film its R
rating. While most of the action is not too graphic, there are a couple scenes
that might affect even a seasoned fan of gore. All in all, the R rating felt
necessary to achieve the brutal, gritty aesthetic that the movie was going for.
However,
the film struggles and loses some credibility in regard to the plot. Beneath
all the blood and neon lights, “Hotel Artemis” tries to construct a narrative about familial duties and the
difficulties that these obligations can put people through. While it’s an
interesting theme, the film ultimately feels like it bit off more than it can
chew. Instead of having a central plot, “Hotel Artemis” seems broken up into a
variety of sub-plots.
These
sub-plots include a mother trying to come to terms with her son’s death, a man
caught in the web of his brother’s self-destructive behavior, and a son trying
to prove himself to an indifferent father. The plot is additionally fragmented
by other sub-plots about stolen jewels, a paid assassin with a secret target,
and an injured cop seeking help.
If you
find yourself thinking this seems like too much to fit into one movie, you’d be
right. While most of these sub-plots are compelling, there was no time to
develop any of them because they were all vying with each other for screen
time. This not only impacts the plot but the pacing of the movie as well. Every
time a new storyline was added into the mix, the audience was forced to change
gears as the previous sub-plot was thrown on the backburner.
While I
was hoping for something a little more in the “John Wick” vein – a rapid-fire action flick with a similar premise – “Hotel
Artemis” had enough going for it that I felt content upon leaving the theater.
Though
the film definitely should have cut down on the sub-plots, it was still an
entertaining story with an interesting premise. Overall, “Hotel Artemis” was
most enjoyable when it was staying true to what it was – a fun action movie.
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