Written, co-produced, and directed by Christopher Nolan, “Dunkirk” marks the tenth full length feature for the acclaimed filmmaker as well as his first historical project. A few members of the cast are Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, and “One Direction’s” Harry Styles. Additionally, Kenneth Branagh and Mark Rylance are featured in supporting roles alongside Nolan-regulars Tom Hardy and Cillian Murphy. Speaking of Nolan-regulars, Hans Zimmer once again provides the soundtrack here, following the collaborations of “Interstellar”, “Inception”, and “The Dark Knight” trilogy. As a huge fan of all of Christopher Nolan’s work, I just couldn’t wait to see what my favorite film director would bring to the table with this epic war project.
Clocking
in at a run-time that is surprisingly under two hours, “Dunkirk” is one of Nolan’s shortest movie to
date. Nonetheless, the film finds enough time to portray a tragic event of the
Second World War that is not too well known here in America. Between May 26 and
June 4 of 1940, the Allied forces of Belgium, Britain, and France became
surrounded by Germans and trapped on the beaches of Dunkirk, France. Providing
three intertwined story-lines from the perspectives of land, air, and sea, “Dunkirk” chronicles the epic battles and massive
evacuation that took place in the titular harbor.
“Dunkirk” is truly unlike any other war movie
that I have ever seen, largely due to the fact that there is very limited
dialogue and little to no characterization. Personally, I found that to be a
bold, effective form of storytelling that made for a totally immersive film
experience. It felt like I was a part of the tragic history I was viewing and
in my opinion, illustrated the oftentimes dehumanizing effects of a large group
of people fighting for survival. However, others may feel differently, as it
can be hard to follow a story like this without being placed in the shoes of a
fully fleshed out main character.
While
the character and storytelling decisions of “Dunkirk” may be controversial, there is no denying the technical expertise
on display in this movie. The film is shot beautifully, with some incredible
wide shots that ground the settings in reality. While there are enough
well-paced battle sequences to keep the plot moving, there is a seemingly
endless amount of pure tension moments to supplement all of the action. On top
of that, Hans Zimmer delivers yet another epic soundtrack for director
Christopher Nolan that takes the film to a whole new level. Overall, I think
that “Dunkirk” was a necessary story
to tell and a fresh take on war movies that fans of the genre can’t afford to
miss.
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