119 minutes
R
I got to be honest with you Folks. Director Guillermo Del
Toro is back and more terrifying than ever. Crimson Peak displays more
of Del Toro’s trademark unforgettable imagery and knack for jump scares that
catch you off guard and leave your popcorn all over the floor. Imagine Age of
Innocence and Downton Abbey meets Evil Dead and you get Crimson Peak.
Given his past film works such as Pan’s Labyrinth and The Devil’s
Backbone, a horror period
piece picture is something that Del Toro could create any day out of any
materials you give him.
The plot follows the main character of Edith Cushing
played by Mia Wasikowska, who becomes infatuated with a charming yet mysterious
Englishman named Sir Thomas Sharpe portrayed by Tom Hiddleston. After eloping
with him, she goes to live with him and his peculiar sister played by Jessica
Chastain at their family estate of the dilapidated Allerdale Mansion in Cumberland,
England.
Del Toro doesn’t shy away from making every aspect of the
mansion a section of macabre terror and supplies a ripe amount of exhilarating
and downright terrifying moments. The performances are noteworthy; especially
on Hiddleston and Chastain who are able to pull of unnerving but believable
performances that become more interesting as the film unfolds.
Ever since I could remember, the horror film genre has
been a main influence for me to pursue filmmaking and cement my love for
movies. Seeing Crimson Peak reminds me that there still is hope for
future horror films that don’t rely on cheap cliches, hackneyed dialogue, and
overused teen horror appeal.
Watching this movie was the most exhilarating and heart
pounding experience I have had since I watched John Carpenter’s The Thing which
was what sparked my horror film interest at a very young age.
Guillermo Del Toro’s appreciation for classic horror
tropes, a clear sense of originality, and a unique visual aesthetic makes this
movie a near perfect experience for those craving a good ol’ fashioned horror
film with intelligence and substance.
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