As
someone on the brink of entering her senior year of high school, there is
something about a high school movie that I can finally begin to resonate with.
And while I do see my own life in some of the notable firsts and lasts that the
characters experience throughout the movie, Paper Towns is a little bit
more than the typical teen-romance you might think. After seeing past the
prom-centric timeline of the film, it proves to live up to its self-aware and
thematic novel of the same name, while maintaining a sense of humor that
entertains audiences of all ages.
Paper
Towns is
YA-author John Green’s second cinematic adaptation, following last summer’s
tearful success, The Fault in Our Stars. TFiOS supporting actor, Nat
Wolff returns to the screen this time starring as high school senior Q, short
for Quentin. Paper Towns tells the story of Q and his childhood partner-in-crime,
the enigmatic Margo Roth Speigleman. Victoria’s Secret Model-turned-actress
Cara Delevigne proves many wrong with her exceptional performance playing a
character who could only be described as the female Ferris Bueller.
That
being said, Margo isn’t actually present for much of the movie considering she
disappears before the first half, presumably on another one of her wild
adventures that she is infamous for. Despite living just across the street from
each other, it isn’t until the end of high school that the two childhood
friends reconnect, though only briefly. Margo ropes the typically reserved Q
into accompanying her on a night of “righting wrongs and wronging rights” only
to disappear again from his life but this time leaving cryptic clues as to
where she went.
Just
a few weeks shy of senior prom, he makes it his mission to find her. Q and his
friends use what they think they know about Margo to piece together where she
could have gone, before embarking on a road trip from Orlando to New York in
search of her. In their efforts to find Margo, what Q found was that the idea
you may have of people isn’t always who they truly are. Much like the
superficiality of the high schoolers’ home city, they learn that their
assumptions about people are equally as depthless. What separates Paper
Towns from other coming-of-age films is that it addresses the dangers of
the manic-pixie dream girl persona that Margo embodies, and that most teen
movies breed. The characters learn that while Margo may be an unconventional
girl, she is no miracle, and that Q is much more than just the archetypical boy
next door.
All
John Green fans and avid readers- who are generally an adaptations harshest
critics- will be surprised to find their own preconceptions shattered. And those
unfamiliar with Paper Towns shouldn’t dismiss it as “another high school
movie”, because while the cliches might prevail, the genuine sincerity of the
movie might just change your mind.
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