It
is without argument that Stephen King is the King of modern fiction. In over 50
novels, he has terrified readers with eerie story lines and authentic wit.
Classics like ‘Salem’s Lot, Misery, and Carrie certify him as the champion of
horror, but recently his book themes have hinted to a new direction of content.
Some people are skeptic to the progression, others enjoy them more than his
older works. Mr. Mercedes
is proof of change in Mr. King’s catalog. But did
it live up to its difference? In
Mr. Mercedes, the book starts off with a job fair
in an unknown Ohio city. It is almost four in the morning, and the line of
unemployed-hopefuls had escalated from dozens to hundreds. Out of the mist, a
Mercedes-Benz speed up and runs over the crowd of people, injuring and killing
dozens. The reader later learns the sedan was stolen from the owner, Olivia
Trelawney, who most likely left her keys in the car. After the Mercedes sped off
into the morning mist, the car was then found abandoned with the killer’s mask—
bleached to terminate DNA traces— in the passenger’s seat.
K.
Bill Hodges is a retired detective in the unknown Ohio city. Since his
retirement, he has barely left his house, watches a fair share of daytime
television, and occasionally ponders on eating his own pistol. It wasn't until
one day he realizes that perhaps he hadn’t reached his last case, when he receives
an anonymous letter from “THE MERCEDES
KILLER.” The letter was from the person who injured and killed the people at
the job fair with the stolen Mercedes two years prior, and was laced with
daunting confessions and unnerving, erotic fantasies. In his letter, Mr.
Mercedes invites Hodges to Under Debbie’s Blue Umbrella, an anonymous European
chat site where he gives the detective hints of his next attack. After
unveiling more and more information about the case, Hodges teams up with his
African-American neighbor, Jerome, and a mentally-challenged women, Holly, to
pursue the Mercedes killer and stop his next attack.
Throughout
the novel, the reader gets perspectives from both Bill Hodges, retired detective,
and Brady Hartsfield, the Mercedes killer (not a spoiler, he is introduced very
early in the story). King blends these two very fluently, creating a cohesive, free-flowing
plot.
When
I sat down to read King’s Mr. Mercedes, I thought I knew what to expect.
Stephen King has been commonly known for having marshmallowy middle portions of
his books— where he rambles on about unnecessary facts and ideas for long periods
of time (see his novel, Needful Things). While he recently has done a better
job at improving this issue, it still occasionally pops up in his books. In Mr.
Mercedes, he did not have this issue in the slightest. To my surprise, it did
not read like a King book, either. The novel, unlike some of his other works,
is written, for the most part, in the present tense. Stephen King did an excellent
job of finding a balance between plot, dialogue and back-story.
And,
without spoiling the fun, the story of retired Det. Bill Hodges shows hint of
continuation— which is great news for Stephen King fans over the world.
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